Jay Kerr
Convenient West Side Location
New York, New York
212.582.5118   fax: 201.569.7690  jay@jaykerr.com
 
     
  EDUCATION:  
  A.B., English; Princeton University
M.A., Mass Communications; California State University, Northridge
 
     
  ACADEMIA:  
 

Staff or Adjunct Faculty at:
Writers' Workshop (Co-facilitator), Princeton University Triangle Club; California State University, Northridge; HB Studio, New York; West Side YMCA Theater Arts Program, NYC; Estelle Harman Actors' Workshop, Hollywood.

 
     
  CONSULTANT/COACH:  
  Coach to Phil Silvers for A Funny Thing Happened on the Way to the Forum, for which Silvers won the Tony Award; Musical Consultant to Dreyfuss/James Productions on film in development to be directed by and starring Richard Dreyfuss; Accompanist, Coach, or Instructor to, among others: Ina Balin, Elayne Boosler, Dorothy Collins, Sandy Dennis, Elizabeth Franz, Debbie Gravitte, Mister Greenjeans, Bob Gunton, Hal Linden, Jane Olivor, Dee Wallace, and Joanne Woodward.  
     
  COMPOSER/LYRICIST:  
  Moonlight on the Wabash, A Musical Revue by Jay Kerr,  lyrics by Kerr and various collaborators- Vincennes University, Indiana
Pyrates, lyrics by Barbara Kahn - Theater for the New City, NYC;
War Bonds, lyrics by Barbara Kahn - Theater for the New City, NYC, CD on Original Cast Records;
Arthur! A Boy Becomes King - Broadway (The Playhouse Theatre); TYA regional tour; The Theatre, West Hollywood;
Pinocchio - Greenwich Mews Theater; WNYC-TV, New York (PBS);
Little Red Riding Hood: A Feminist Ecological Musical - California State University, Northridge;
W*A*S*P, A Musical Revenge - Variety Arts Center, LA; Freddy's, NY.

Cabaret Writing and Performance: Musical Supervision and Special Material for Neva Small: Not Quite an Ingenue and producer of CD of same, directed by Pamela Hall and featuring musical director Don Rebic and bassist Dick Sarpola; Special Material for various artists, including writing collaborator Ed Kulkosky’s Becoming Santa; longtime songwriting collaboration with Arthur Kirson (50 songs), including  A Million Dreams, recorded by Judy Kreston and David Lahm.

Pre-production, 2006: Alice of Old Vincennes, pagent drama to premiere 2008 at Red Skelton Center for the Peforming Arts, Vincennes, Indiana, with lyrics by Laurel Smith, book by James  Spurrier. Additional collaborations: Lady Fashion, with Carmel Rosa; Stages, with Mitch Uscher; The Gods Are Only Human, with Norman Beim.
 
     
 

RECENT MUSICAL DIRECTION:

 
  Broadway Sings "The Odd Potato," with Frank Gorshin & Charlotte Rae (2003) and CD featuring 20 Tony Award winners, including Jim Dale, Sutton Foster, Judy Kaye, John Mahoney and Elaine Stritch (www.theoddpotato.com); also Old Friends - (Eighty-Eights, New York): a revue performed by eight singers over sixty. Great Expectations - CD (Original Cast Records) original adaptation starring Sally Ann Howes, George S. Irving, Tovah Feldshuh and Neva Small. Come On Over: The Songs of Gladys Shelley - (Don't Tell Mama, New York). Women by Women - (Steve McGraw's, New York) a revue of songs examining the female human condition, with lyrics written only by women.

Princeton University Triangle Club: Musical Supervisor - Absurd to the Wise (2001); Puns of Steel (2000); The Blair Arch Project (1999); 101 Damnations (1998); In Lava and War (1998); t's a Wonderful Laugh (1997); The Tiger Roars, celebration of Princeton's 250th Anniversary (1996);  Pulpit Fiction (1996).
 
     
     
   
   
     
 
Lessons
Broadway
Touching Magic
Marginalia
Home
Links
E-mail
 
 
JAY KERR began his professional musical career at the age of fourteen as a church organist. He worked for thirty years as a church musician, held cue cards for televisions's Captain Kangaroo, produced military and USO shows that toured Southeast Asia during the Vietnam conflict, shared the bill with Bette Midler at New York's Continental Baths, wrote children's musicals, taught in a military school, parochial schools, acting schools and universities, and served as the principal of a junior high school.

As a vocal instructor working in his own midtown Manhattan studio, he consults with producers and educators and composes and performs in new projects.